Maggie is an uptight, single mother and college writing teacher from New York City. In an effort to reconnect with her troubled teen daughter Summer, she decides to embark on a journey to a Tuscan village that she frequented in her younger days. Upon arrival, Maggie runs into Luca, a handsome former lover who is still a bachelor and lives with his eighty-year-old mother, Carmen. Summer (missing her "bad boy" boyfriend in NYC) and Carmen (secretly planning a wedding against Luca's wishes to Marcelino, her one true love in Rome) impulsively steal Luca's car and race off to Rome. Maggie and Luca quickly pursue allowing the two mismatched couples to spend some time together and develop a new understanding of each other.

THE FACE OF AN ANGEL tells the story of a journalist and a filmmaker as they lose themselves in a notorious murder case they are covering. Based on true events, a riveting account of the controversial case of a American student accused of murder in Italy. Written by Screen Media Films

The policeman Dave Speed is assigned to a mission in an ex-Indian reservation near a military shooting range. Casually, Dave is doing an investigation on the spot. A nuclear missile explodes. The radiation gives him superpowers. Dave is able to move object with the mind force, to discover mysterious crimes and to jump with no problem from a skyscraper. His friends cannot understand those transformations. Written by Tognacci Sebastiano seblog@maya.dei.unipd.it

Tragedy strikes as two ruthless brothers kidnap a bride during her wedding. Hurt and angry, H.H. begins his quest to find the love he lost, and take vengeance upon the wicked. Comin' at Ya.

While a Mexican revolutionary lies low as a U.S. rodeo clown, the cynical Polish mercenary who tutored the idealistic peasant tells how he and a dedicated female radical fought for the soul of the guerrilla general Paco, as Mexicans threw off repressive government and all-powerful landowners in the 1910s. Tracked by the vengeful Curly, Paco liberates villages, but is tempted by social banditry's treasures, which Kowalski revels in.